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The History and Humor of Sex Education Films with SEX(ED) THE MOVIE Director

The Insiders

Episode 27

The History and Humor of Sex Education Films with SEX(ED) THE MOVIE Director

Filmmaker and USC Professor of Cinematic Arts Brenda Goodman talks about her fascinating documentary Sex(Ed) The Movie, which takes an in-depth look at the history of sex education films and the ways they played a role in sex ed training efforts.

Goodman – who started out her media career in the political advertising business – said she was partly attracted to the film’s subject matter through her own upbringing in North Carolina.

“There was sort of a prescribed way of behavior, how you would comport yourself in all situations, and some of it very positive. Southerners are seen as very mannered and very polite,” she said. “But the flip side of that is that you were expected to behave in certain ways, and there were messages about that behavior – and certainly about romantic behavior sexual behavior, how to be a lady, those sort of messages, and I remembered them.”

She said it was curiosity about those messages and how they were disseminated that spurred her interest in the historical aspects of sex education. “So I had that interest, and at the same time, there was this happy coincidence that USC has an amazing archive of films,” said Goodman who then decided to look into how sex education was communicated through film.

“As the time have changed, the films have changed. So we were talking about the films during the war – those films were aimed at soldiers – like if you’re the good soldier, you’ll protect yourself and wear a condom, and there were no issues about condoms.”

She said that in today’s modern media world, many sex education films are now being posted on YouTube or elsewhere online. “There are still sex ed movies, but the whole educational film industry changed substantially a few years ago. For a while it was incredible filmmakers working in the industry, and a lot of studios.

Goodman said she even received animation cells that were drawn by for the artist for Bullwinkle, and were for use in sex education movies.

Also discussed is a sex ed film called Sex Hygiene – which was produced by 20th Century Fox and directed by iconic classic movie director John Ford – the first such film made for soldiers in World War II.

She said that she became aware of the inadequate state of consistent sex education in personal interactions with her film pupils. “So many students have found their way to my office and there are issues in their lives about relationships, and in talking to them I realized that they’ve had very deficient sex ed,” she said.

This was evidenced even more when she decided to expose students to clips from some of the sex ed films used in the documentary during a showing at a large theater on the USC campus. The screening was so well attended that she said a couple hundred students had to be turned away.

“So we showed some of these clips and then we passed the mike – we had an open mike night where people could talk about their reflections about their own sex education. And it was shocking how deficient it seems that we are in that area.”

Watch the full interview to also hear Goodman’s take on the current state of documentaries, as well as the increasingly frequent use of graphics and music to improve film narration.

Guest Bio

When we learn about sex, we don’t just learn about social mores and biology; what we learn affects our identity, our relationships and our ability to be intimate throughout our lives. Many people look back at how they learned about sex, whether it was a book, an embarrassing parental chat, a school presentation, or porn, and remember their shock and embarrassment. SEX(ED) The Movie captures the humor and vulnerability of those experiences while allowing us to look at the various agendas that shaped the content. To get at the truth behind the history and current state of sex education in the United States, SEX(ED) The Movie examines sex education films from the 1910s up to the present day. Often hilarious, sometimes instructive, and almost always awkward and embarrassing, these films reflect the changing moral, cultural and political attitudes that inspired them.

Brenda Goodman works in independent films as well as documentaries, television and music videos. Her credits include Anna, (winner of Golden Globe for Best Actress) Emma and Elvis(Kathryn Walker) Mac (directed by John Turturro and winner of the Caméra d’Or at the Cannes Film Festival), Prisoners of Inertia (Amanda Plumber and Chris Rich), and The Ballad of Little Jo(directed by Maggie Greenwald, featuring Ian McKellen).

Her documentary credits include SEX(ED) The Movie, Observance Observed (ABC), Blues Story, No Place Like Home and Chuck’s Story. She also produced documentaries for PBS including Roses in December, Growing Up Poor, and Heartstrings. She produced The Baby Sitter’s Club pilot for HBO and was the Executive Producer for the 2000-2001 Human Rights Awards, and the director for DIFFA (The Design Industry Fights Aids) Award Show.

 

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